Here be spoilers…
Here be spoilers…
Here’s the pitch: Aldred serves the warring Gotham City villains a 9 course traditional French dinner while Bruce Wayne attempts to broker a peace deal. We see the beginning of Batman’s big mistake. The issue is as much fun as the pitch sounds.
On to #30!
It is another Kite-Man interlude and it is heart breaking and fun, giving the reader an inside look at the War of Jokes and Riddles from a foot soldier’s point of view. The scenes are set to dialogue boxes of a conversation between Kite-Man and his son while we see him get punched by Batman, fly with Man-Bat and deal with the up frightening villains on both sides of this gang war. The juxtaposition of the very human moment of a father talking to his son and a C-list Batman villain trying to survive fighting for the Joker is well done.
The Kite-Man Interludes have done for Kite-Man what Heart of Ice did for Mr. Freeze.
It is worth mentioning that page 11 has my favorite Two-Face moment ever.
There War of Jokes and Riddles continues to be a classic that is en route be shelved next to Batman: Year One and The Long Halloween among my favorite Batman arcs ever as I read with baited breath to see it stick the landing.
It is another fine issue in the War of Jokes and Riddles. The issue has 3 main parts: Gordon trying to end the war by talking to both sides, Battle of the Snipers – Deathstroke vs Deadshot and a bit with Catwoman during this mess. The Kite-Man interlude is over though he clearly has a role to play. We’re back to Bruce telling Selina the war story as the narrative device.
Not an issue goes by without a reminder that this arc is building on top of Frank Miller. This issue was a line referencing a memorable panel from Batman: Year One:
But these were the best mercenaries in the world.
And I was a year away from kicking a tree.
Batman is vulnerable. His costume is different in the flashbacks, more simple year one style different from than the modern DC look with the lines and the yellow outline around the chest bat icon. In stopping Deathstroke and Deadshot he gives Deadshot a concussion that nearly kills him (NOTE: that touch made me smile because I was just talking to friends at a party about how brutal someone of Batman’s size, strength and training dealing out head trauma would be).
I love that Batman’s inexperience is shown by having to use too much force to stop the violence. Once again, the textual spotlight isn’t on the cool Deathstroke vs. Deadshot matchup but the bystanders killed in the crossfire and the excess of violence deployed to end it. That said, these mercs facing off was still cool and got some amazing panels.
Janin’s clean lines really shine here, both in showing off the action scenes and the innocent bystanders trying to get away from the war. His one and two-page spreads are amazing every issue, especially the scenes where we get to see the Joker and Riddler’s gangs all together.
I’m curious to see what mistakes Batman will make and what lessons will we see him take into future arcs. Will this arc take us into the present with Batman and Selina fighting crime together while the story is finished? I’m intrigued and I’m in, feeling like I’m reading the best Batman arc that I can remember.
The Joker would probably be mad at me for this review. I give away the punchline and it might be seen as having a spoiler. You’ve been warned.
This is the first time in memory that I’m enjoying a monthly Batman comic.
Gang war between The Riddler and the Joker continues with the narrative gaming device of Batman telling this story of his early days in the cowl to Catwoman in bed. Every person killed in the war is named with personal details Batman knew of them. Even dead gangsters have details like, “Played Santa every year at his church festival.”
It is the second issue in this arc and the war is ramping up with Gotham’s police and vigilante still reacting and cleaning up the mess left in it’s wake. Batman is in this odd role, using his skills as the World’s Greatest Detective to record the dead and remembering their names and who they were. Most of the narrative oomph of the issue is given to those who are killed.
It is pretty clear that this arc is about a mistake Batman made during the course of the conflict, maybe not a big mistake but something he should have done differently. I’m curious to hear what he wants to to learn and how it will effect the next arc of the series.
I have vivd childhood memories of always traveling with my Star Wars figures, always being eager to get on the floor and start playing pretend with them. I can still close my eyes and smell what the plastic smelled like when the figures were brand new. I’d tell my parents over dinner what stories I’d created while we all ate dinner.
Chuck Wendig’s book evokes that for me. I don’t mean that in a condescending way. Writing books set in established intellectual properties, especially one as vivid and important to my generation as Star Wars will always be playing with toys to some degree or another.
The author pours some toys onto the floor: a bounty hunter on the job, a crackerjack pilot recovering from the battle over Endor, a rebel soldier caught behind enemy lines, an admiral of the Imperial Navy desperate to put the pieces of the Empire back together, a desperate Grand Moff, a kid with a protective, violent droid and gangsters, lots of space gangsters. He stirs them in a pot and pours it all out into a story that takes place in the months after Return of the Jedi. For those who want Timothy Zhan’s books to be what you remember from that period, I don’t think this book will over-write that. If anything, they compliment each other and if my hunch is right, there’s a big easter-egg in there for you Zhan-novel fans.
He does it all without any Jedi, which might be my only criticism of the book and it isn’t much of one. Luke is a mythical figure mentioned by characters throughout the book in awed tones and he lets the Force be something mysterious. I can’t fault him for not playing with the prettiest toy in the Star Wars set for the sake of continuity.
The interludes are where Wendig shines. We see Han and Chewie setting a course for Kashyyyk and we hear about the criminal underworld of Cloud City. Sith cultists are paying any price to recover Vader’s lightsaber (or was it?). But we see things more important than that. We see people recovering from war. There are plenty of blasters, bounty hunters, gangsters and a truly bad-ass sheriff on Tattooine deserving of his own book. Wendig invokes westerns, Grosse Point Blank and of course, lots of Star Wars. He puts the Wars in Star Wars. We see Wookie slaves set free from the Empire’s shackles by the New Republic’s soldiers but not given anywhere to go. Kids on their way to become Stormtroopers right as the rebels destroy the training center are given a new path.
He puts a very human face (even when the face isn’t human but you get the idea) on the Fall of the Empire and makes it feel more substantial without sacrificing an ounce of fun. He makes war something worth hating but lets us still love space opera without any reservations. Wendig picks the plastic action figures up off of the floor where the 8 year old left them when the battles were over and he wonders what became of them. We wonder with him.
I’ve heard that there was some kind of kerfluffle about his inclusion of gay characters. There are in fact three gay characters – one main character and two minor characters who only spoke in one chapter. If this bothers you, if you think the little gay kids playing with their Star Wars figures shouldn’t see themselves represented when the toys are poured out onto the floor – I only hope that your fear doesn’t become anger and your anger doesn’t lead to anything that might dominate your destiny.
May the Force be with you.
The good parts of Days of Future Past:
Professor X is all about love and understanding but he doesn’t go after it in any way. He doesn’t have a plan, doesn’t have a way to educate people. He just wants to trust people’s best nature and if they fall down, well, they’ll get back up again, right? That isn’t how activism and understanding and change fucking work. He isn’t doing anything proactive, so of course he looks like a dweeb next to Magneto, who is dropping shit on D.C. and menacing Nixon.
Of course I want to side with Magneto; he isn’t a straw man like Charles is.
Also, this relationship between Xavier and Mystique is just creepy. “I’ve been trying to control you since you were a little girl,” he says and from that moment, I’m hoping she caps the guy whose death will bring about the apocalyptic future, just so she can get out from Xavier’s bullshit neediness. “Come back home…please.” No, you go, woman. Kill some motherfuckers. But make no mistake, Jennifer Lawrence’s performance was wooden as hell. She had some cool action sequences but I’m wondering if Bryan Singer can direct women. Because Storm…oh, Storm…
The post apocalyptic future has a team with people of color! Blink, Warpath, Bishop are all there rocking shit left and right with Iceman, Kitty Pryde and some magma dude.
And then we watch them die.
But they’re not really dead!
Then we watch them die again and this time we watch Storm and Bishop die first because…ya know…
And then the future is fixed and we watch a de-hydrated Hugh Jackman walk around the Xavier’s School and there’s Cyclops. There is Jean and Rogue and Iceman and Kitty Pryde and Storm but the other people of color are gone because in the happy future, we only need our token.
Fuck all this nonsense; I’m joining Magneto.
I liked it more than the first film. The dwarves felt like more of a team and it was nice to see Bilbo be a part of the team and become the burglar they need (and the burglar they deserve).
The spiders were terrifying and because of tabletop endeavors, were very gratifying to see on the big screen. That was always my favorite part of the book, so I was thrilled to see them crawl around so big and clear.
Martin Freeman really holds the film together with his performance. His performance is amazing and kept me grounded and caring during the grand fantasy spectacle of it all. They seeded some cool One Ring stuff throughout the film.
Rhadaghast bothered me less in this film, though I still think the bird-poop on his head was one of the few serious costume/production missteps in Jackson’s Middle-Earth. Seeing Gandalf get his wizard on worked and set up the bad-ass posse that will gather to take down the necromancer in the next film.
Orlando Bloom has improved with his weapons work. Three pirates films have definitely left their mark and it showed. This didn’t necessarily translate to better film fighting. In some ways, they felt more comfortable showing Legolas, so we saw even more of him surfing on this and surfing on that while being a bad-ass. The first critique that occurred to me was that they should have cut some Legolas from the film and given some of his bad-ass-i-tude to Tauriel.
I liked Tauriel and Mirkwood was a nice counter-balance to the other elven realms, Rivendell and Loth Lorien. The barrel sequence was fun, though, like many action sequences, I could feel as it struggled to not to feel like a video game without any controls.
Just before the movie started we were talking about ways the first film fell short for us and my buddy pointed out a solid one. The main orcs, the big ones who get big fights with named characters, should be guys in make-up. I want some big New Zealand stuntman in a rubber mask; it gives the action scenes more oomf and gives the performance something tangible for the pale orcs.
Smaug is amazing. He is the dragon we have been waiting for since Dragonslayer came out in 1981. His movement and voice worked for me and I loved the way the fire started in his belly and erupted out of his mouth. There was one scene in particular where they highlight the coins on his belly that I won’t spoil but might’ve been my favorite moment in the movie.
Laketown looked good and it had people of color has background extras. I wanted to yell, “I see you Laketown people of color!” The look and production of the place was well done but the conflict between Bard and the Master of Laketown felt tacked on. I couldn’t care.
When the movie ended, the audience groaned audibly. “Really?” “Well, its only a year, right?” I think we need to look ahead and think about this movie as a piece, playing in our homes on winter holidays in years to come as we play through our deluxe DVD/Blu-Ray sets. When we look back on this 161 minutes of film, I’ll say, “Cool, this is where the Hobbit starts to get pretty damned good.” But looking at it now, as a night out of the movies, the ending was a rough choice. It left us wanting more but I wonder if it left us with enough for the cold ride home from the movies.
My main problem with the creative shuffling going on at Marvel is that there are too many books that I am interested in adding to my pull list.
I get my comics once a month, so forgive me if my reviews will be a bit behind.
All-New X-Men #1 by Brian Michael Bendis and Stuart Immonem
My only criticism of Bendis’ writing is that it often feels like he writes to the graphic novel, sometimes leaving single issues that feel a bit thin. By the time I picked this issue up, I knew the premise of the comic. The first issue pretty much shows how that premise comes to be. That said, I’m in.
I really like the concept, of our present time being a dark future that the X-Men always feared and the original 5 X-Men, all fresh-faced, naive and young, come to the present to deal with the state of mutant-kind. The modern-day Cyclops has become the most interesting kind of villain, in the tradition of Magneto, the kind who thinks they are right and have a damned good point. This is the first time I have been excited by an X-Men comic in my adult life.
The art by Immonen is amazing, the best looking book of the Marvel NOW! lot so far.
Uncanny Avengers #1 by Rick Remender and John Cassaday
In a way, Uncanny Avengers is the flag ship of the post-AvX, Marvel NOW! world, a world in which the Avengers and X-books will blend a bit more. We get Wolverine’s funeral speech and Havok visiting his brother in jail, some tension brewing between Rogue and the Scarlet Witch and the introduction to the main villain – a clone of the Red Skull that has been in cryo-freeze since WWII.
Based on Remender’s splendid run on Uncanny X-Force and Cassaday’s stellar art I’m buying in to this madness and imagine that it will be good fun.
Captain America #1 by Rick Remender and John Romita Jr.
I wasn’t going to buy this one but made an impulse buy at the comic book store and this was in that impulsive pile along with Iron Man #1, reviewed below. I like Remender’s take on Cap, he talks a bit like your grandpa and somehow I got a glimpse of conservative politics that I might be making up but I don’t think so. Rather than seeing flashbacks to WWII, we are getting flashbacks to Cap’s childhood growing up in the Great Depression with a tough mom and an alcoholic abusive dad. The book needs some kind of grounding flashbacks, not just to give us a new glimpse into Steve Rogers but because the first issue sends Cap to another dimension ruled by Arnim Zola.
I liked this book and think it will be good fun but I’m buying too many comic books as it is, so this one has to go. If I hear good things maybe I will pick up a trade paperback or keep my eye open for a sale on at Comixology if I should become the owner of a tablet.
Iron Man #1 by Kieron Gillen and Greg Land
I’ve never been a big Iron Man fan but I tend to follow creative teams, mostly writers, rather than a particular hero or team. That said, I have always liked AIM and loved the movies. I just couldn’t get into this one. The plot didn’t do much for me and Land’s art makes everyone look like underwear models (even more than they usually do in comic books). It was the only book of the lot where I put it down and did not care what happened next week.
Thor: God of Thunder #1 by Jason Aaron and Esda Ribic
This comic is showing three different Thor’s in three different eras. We’ve got the current Thor, a young pre-mjolnir viking Thor and a grizzled King Thor with one arm, sitting on the throne of a deserted Asgard. The art is luscious and the premise, Thor coming across a faraway planet with a dead pantheon, killed by a serial killer who murders deities is Thor at his best, cosmic and a touch gonzo. That said, it felt like they put an unnamed Native American deity into a fridge on the first issue, a victim of the God-Butcher. That bugged the hell out of me. If future issues don’t somehow make this right, I’ll likely be putting it down.
Fantastic Four #1 by Matt Fraction and Mark Bagley
A father wants to teach his children about the world around them, so he is bringing them all on a road trip. Only, this family is the Fantastic Four, so the road trip is a cosmic romp through the galaxy and the father’s cosmic radiation-granted super-powers are unstable and he needs to find a cure. I loved Hickman’s run on the Fantastic Four, so I am really excited to see where Fraction takes the book, as I am a fan of Hawkeye.
Fantastic Four is a book that I always want to be great but only rarely satisfies me. I’m strapped in, hoping this run does the trick.
tl;dr: I’m adding All-New X-Men, Thor: God of Thunder, Fantastic Four and Uncanny Avengers to my pull list but not Captain America or Iron Man.
If you have any thoughts about this comics, please let me know.
Next Issue: I’ll look at FF#1 and Indestructible Hulk #1. I won’t be reviewing each issue but will go back and look at the titles that hold my interest’s first arcs.
I watched the trilogy, all in one sitting and watched this third installment right at midnight.
For comic book geeks, it was a hectic mix of Knightfall, No Man’s Land with pinches of Dark Knight Returns here and there (specifically the one scene with the older cop and the younger cop, “You’ve never seen Batman? Slow down, kid, yer in for a show.”).
Watching the trilogy left me wondering a few things:
Gotham is a character in any Batman fiction and in the first of the trilogy we see the rail system, built by the Waynes and the Narrows, a rough part of town where Arkham Asylum is located. The rails are never seen again in the trilogy and the Narrows are never mentioned again. I would have liked a throwaway line about the rails having to be scrapped after the League of Shadows shenanigans of the first movie if the city suddenly does not have trains.
In Rises Catwoman could have been from the Narrows…something, some kind of a sense of continuity of Gotham as a consistent character, the city worth saving no matter what league of ninja, clown-faced psychopath or masked terrorist might attack it.
NOTE: A G+ buddy said that he could see the 3-tiered rail system in Rises, particularly in the IMAX version of the film. Nice!
Bruce Wayne/Batman does not have an original thought in his head. Almost all of his lines are quotes from other people, taken out of context and run through his cowled head so that it has to do with his quest for justice. Watch them again, when he does something inspired by someone else, he almost always quotes that person verbatim so the audience will remember where he got his idea.
All in all, where the first movie was saying, “Gotham is worth fighting for,” and the second movie said, “People will still do good even in the worst of situations,” the third seemed to say, “Poor people will rise up, bath in rich people’s blood and steal their shit if there are no police there to stop their psychopathic tendencies.”
Maybe it was just that Rises didn’t have a Ledger-caliber performance to off-set its philosophy 101 questions.
Why do they bother with a fake Asian Ra’s al Ghul? Why does Dark Knight stop in its tracks so that Batman can grab a money launderer in China? Rises has too many WTF’s to narrow down to just one sentence.
The only fights I really liked in the whole trilogy was when Liam Neeson’s character picked young Wayne’s fighting style apart and the Joker went bat-shit crazy on Batman at the end of Dark Knight. The rest of the fights felt unnecessarily frenetic. There was good stuff going on but I was missing it in the shaky-cam.
I wanted to see an older, wiser Batman pick Bane apart as Bats did the Mutant leader in Dark Knight Returns but I didn’t get a sense of why Batman won the fight at the end of Rises. He was hitting Bane’s mask but he was hauling off on Bane’s mask in the first fight too. I want fight scenes that are cool and say something about the characters fighting. And when Bane laid hands on a mofo, I wanted to feel it the way I did when Joker did the pencil trick. It wasn’t Hardy’s fault, I thought his physical presence was solid. It was the way Bane’s violence was shot.
Man, I don’t like the Rachel Dawes character. The ladies who played her were fine and I respect her decision to love Dent over Wayne but when she told Bruce that she liked Batman but didn’t like Bruce…man, that felt just mean. I’m glad that Selina Kyle could come along and let Bruce know that his brand of crazy was okay (even if it really isn’t).
What is good in Rises?
Anne Hathaway and Joseph Gordon-Levitt do great work as the Catwoman and a young Gotham cop.
Does it Rise?
No, sometimes, Bruce, when we fall down, it is because we made poor creative choices and did not have the editing skills to get back up again.
I thought all of the Nolan’s Batman movies were a big, glorious mess and didn’t expect anything different from this one. This one felt like a bigger mess than usual and that could’ve been okay but it didn’t quite hold together.
I liked this take on Bane and liked his link to the al Ghul family. I saw it coming but I enjoyed it all the same. This Bane had an intimidating physical presence and was a good choice after Ledger’s amazing Joker.
All in all, we’re left with what all three of these Batman movies leave us with, some fun action scenes and some half-assed thought on heroism. The action scenes were alright and the thoughts on heroism were just plain repugnant.
We have a huge, sprawling mess that folks are going to insist is going to be impossible to top. The origin movie was a fun primer. The second film was a great Harvey Dent/Joker film and a mediocre at best Batman film. I’m a sucker for the first ten minutes that felt like something inspired by Heat.
And Rises takes the mess of the first two films and makes an even bigger mess.
It is not going to be long before someone launches another Batman franchise. Nolan did a better job than Burton and Schumaker but I think a better Batman series of movies can be made.
P.S. I’ll post re-boot thoughts in a future blog post but I think it would be cool to base the first movie on the first Detective Comics with Batman, even set it during the 40’s and tell the origin during the opening credits.