Making Roric’s War

Our Bluecoats Investigative game (playlist here) had two more cases left. Roric’s War and The Last Case.

I knew I wanted Roric’s War to be a gang war across all criminal factions of Doskvol, threatening to spill over across all factions if things get out of control. Roric’s death was the start of the Lampblack/Red Sashes war and I wanted to escalate that situation.

Looking over the criminal factions and putting them into two sides of a city-wide war was really easy. The Hive on one side and the Unseen on the other; the rest just fell into place. Yes, Roric was the fuse but the real situation was two powerful criminal enterprises that were ready to find out who ruled the Dusk.

This is what my little map looked like at the start.

The Roric War 1 (1).png

The Hive was low on magic, so I had them courting Lord Scurlock.

The Foghounds and the Lost were clearly the weak at the edge of these criminal herds, so the wars started with each side trying to destroy them.

I kept the Lampblacks and Red Sashes as neutral because they had just finished a costly war and I reckoned that both sides would aggressively recruit them later. Ulf Ironborn and the Grinders were neutral because neither side wanted the political liability of the most marginalized people in the city (for now) but that would change was the war took its toll and boots on the ground became more of a priority.

The powers-that-be don’t care if the scoundrels murder one another in the streets but when a bomb goes off in Gaddoc Station, that is what got the Lord Governor to write up an Imperial Mandate and get them into the mix.

Looking back, a bomb site isn’t a great place for an investigator but it worked out alright. I might’ve started with a straight up murder getting the law involved but maybe not. It worked out fine. This could be me over-thinking it.

Other than the bomb, there were plenty of leads because everyone was involved. They went to the Silver Nails, the gang they had the closest relationship with. Their mandate was a bit vague; they were charged with ending the war. That means there is no real crime to solve.

Looking back, I might’ve had the Lord Governor be more aggressive with suggesting incarceration as a primary tool to end this mess. The Doskvol version of drugs on the table from The Wire. “I want criminal leaders in manacles,” he might say, putting pressure on the team to not only end the war but put crime lords in Ironhook. I don’t think that the Lord Governor’s suggestion is a good idea; I think it would’ve put inexperienced people in charge of gangs and led to more reckless acts of violence.

As it was, Stras and Lauren were smart and used diplomacy to eradicate the Unseen’s forces, causing them to have to sue for peace. They got the Dimmer Sisters to switch sides, finding out that they didn’t take the Hive up on their offer because they didn’t want to answer to Scurlock, whom they knew was being courted and so they got Scurlock to sit this out and seek out revenge against the Circle of Flame, who tried to light him on fire with the Hand of Kotar. They got the Wraiths off the board by getting them safe passage and a safe place to live in Imperial City.

One war-related fire broke out, burning one of the Six Towers, leaving it a burned out husk, like a burned bone shard on the Doskvol skyline. Is there any game of Blades in the Dark where one of the Six Towers isn’t decimated?

This is what the map looked like at the end.

The Roric War 1.png

The Foghounds and the Lost are upside down; that was how I noted that they had been destroyed.

During downtime, I picked factions for a clock and rolled those dice. If two factions were working together, I’d have the larger faction roll their dice and the smaller faction offer a helping die. This provided action and movement as both sides moved towards concrete goals. I did this privately, narrating only what the players would have heard about.

At one point a fire broke out as the Hive was courting Lord Scurlock, so I decided that it was the Circle of Flame using the Hand of Kotar to mess up that diplomatic meet-up in an abandoned tower. At another point they visited the Hive Galleon and saw a Dimmer Sister floating above a building in the Ghost Field, taking notes on the coming’s and going’s of the ship so they could burn it into the harbor later.

The cool thing about this mess is it gets everything into play and on the board. It dumps the toy chest on the floor, so to speak. The Hand of Kotar, the Hive, Lord Scurlock, the Crows all hit the table because of Roric’s War.

The next game we’ll go over the fallout after a cataclysmic clash with the demon hiding among the Circle and Flame’s leadership and we’ll see if the investigators can push to continue the case in order to gather evidence on The Hive.

In investigative games I want a few things set from the start:

The Crime Scene

I want to know what happened and why.

I might learn more later as details emerge. There might be people involved who I had never anticipated, not because the players are adding bits of narrative details but because I didn’t think of everything; there are white spaces on the map where new things can come to light.

That said, I want to know who dunnit, why and how.

This takes us to…


The players should have somewhere to go.

If the leads dry up, that is okay because…


The forces at work are in motion, either covering up the crime or going after their own goals.

That said, failure is okay. I don’t mind a case where the evidence dries up and the leads go cold. There are parts of earlier cases that were unsolved due to bad rolls; that is fine and I don’t mind a case being unsolved. Something might come up later and the cold case grows hot again.

Talk Sh!t Roll Crits: Forged in the Dark Edition is but one item in my TTRPG Collection